Nazi sex camps Camzap usa
We dedicate this film with the hope that these heinous crimes will never happen again.” These films pushed the boundaries of bad taste to their lowest limit.It’s difficult to pin down the continued appeal of these films.” The testicle-deprived guard seeks revenge by freeing the prisoners of the camp who go on a berserk rampage.Fans of ovarian and testicular surgery will not want to miss this entry in the takes particular pleasure in letting his insane “pet”, a bald, leashed moron named Kurt, rape the prisoners while he watches. In addition to the typically sleazy tortures, this film features an orgy between Nazis and their Jewish prisoners, and a Nazi scientist who informs his dinner guests that they can solve the world’s hunger problems by eating “inferior races”—which they proceed to do, taking a poor young prisoner, sprinkling her with cooking oil and cooking her up right on the spot.Producer Dave Friedman (under the pseudonym Herman Traeger) put this written notice in the first shot of “The film you are about to see is based on documented fact.The atrocities shown were conducted as ‘medical experiments’ in special concentration camps throughout Hitler’s Third Reich.
The producers were making bank by exploiting 1970s movie audiences’ craving for weirder and wilder psycho-sexual delights and justifying it all as supposed statements against war crimes.The original Italian title translates literally to “swastika in the stomach”. ), proving Steiner really loved his work in the genre.Steiner tries to convince one of his prisoners to fall in love with him through humiliation and exposure to hellish tortures. An evil female Ilsa-clone creates a hairy mutant hunchbacked monster that brutally rapes women and eats their pubic hair. Spaghetti Western director, Sergio Garrone, presents this ridiculous story of a Nazi commander who seeks to cure his impotency by having a healthy guard’s testicles implanted in his scrotum.Unquestionably, the majority of these films are in the poorest of possible taste, yet they present material in a manner which pulls no punches—a spectacle which would never fly in today’s age of obsessive outrage.These films blur the lines between good and evil when they present Nazi atrocities in a manner that may not only repulse, but also spark the prurient interest of the viewer.